Choonmon Lee

Mon, a graduate of Raffles Music College, pursued advanced studies in Applied Music at Dundalk Institute of Technology, where he graduated with First Class Honours. This achievement earned him the esteemed "Michael Van Dessel Choral Conducting Scholar Award" in 2017. Subsequently, he completed his master's degree in Conducting at The Royal Academy of Music, with his studies abroad fully funded by scholarships.

During his educational journey, Mon had the privilege of being mentored by renowned conductors and musicians including Sir David Brophy, Sir Simon Rattle, Thomas Benedict, and Annalisa Monticelli. In recognition of his exceptional talent, he was nominated for "The Best Romantic Period Conductor" by the BBC London Orchestra in 2016 for his captivating performances of Beethoven's "Egmont Overture" and Tchaikovsky's "1812 Overture." In 2018, he was invited to conduct a concert at St. Mary's (Marist) Church, where he had the opportunity to collaborate with notable soloists such as Niamh McCormack, Niamh O'Hanson, and Geraldine McGee, among others, in Ireland. Mon's passion for conducting has led him to numerous performances in Malaysia, Singapore, Hungary, Ireland, and the UK, encompassing a diverse range of musical genres including musical theatre, opera, and contemporary works.

Noteworthy highlights from his performance experiences include conducting and performing on the harpsichord with David Adam, Aisling Kenny, and Tuula Vouyilainen at the Irish Baroque concert in Dublin. He has also served as an organist at the Church of the Holy Trinity and the Church of the Visiting of the Blessed Virgin Mary. Additionally, Mon has showcased his skills as a pianist, having performed with the Peace Proms Orchestra during their 2016 Tour Concert, and served as a keyboardist and pianist for the Celtic Women Concert in 2015 and the Celtic Thunder Concert in 2016 respectively, both held in Galway.

Upon his return to Malaysia in late 2018, Mon joined the Music Faculty of an international school in Johor, where he was appointed as Head of Music. Subsequently, he embarked on a new role at another international school in Malaysia as the Head of Expressive Art, overseeing Drama, Music, and Arts within the institution. Moreover, Mon firmly believes in the importance of collaboration and the synergy it brings to musical productions. He values the exchange of ideas and the cultivation of a supportive and inspiring environment where musicians can thrive and push the boundaries of their artistic capabilities. By fostering a sense of unity and mutual respect within his ensembles, Mon encourages musicians to elevate their performances, resulting in captivating and memorable musical experiences.